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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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  • Compact Disc (CD) + Digital Album

    Gorgeous Martha's Vineyard photos by Alison Shaw. Wallet with 8-page booklet includes all lyrics as well as descriptive notes on all of the music. Eco-friendly packaging (no plastic!)

    Includes unlimited streaming of Welcome Day via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
When I rouse my sleepy head what do I do In the morning, morning, such a brave morning In the maze and the muddle, so much that’s new In the morning, morning How did the sun rise, where did the moon fly All around the heavens all so defined Comes a circle, circle, such a great circle of time (In the heavens all so defined) When I rise my body, where do I go In the morning, morning, still a bright morning In the slosh and the swishing of the ebb and flow In the morning, morning Swirl in the wind, backwash in the tide and All around this tender earth so defined Comes a circle, circle, such a great circle of time (In the heavens all so defined) Just like a button, like a wheel Like a ball of cotton, like a seal's nose How does it kind of make you feel To go where the tumble of the seeds blow When I rest my sleepy head, what do I dream In the evening, evening, such a dark evening All my weary worn worries all now unseen In the soft down evening Wheel of the stars wend where time won't end All around the power of peace of mind Comes a circle, circle, such a great circle of time (In the heavens all so defined) Just like a button, like a wheel . . .
2.
3.
And who would have thought in a moment's time That I'd be yours and you'd be mine And when I say this, we’d be knowing of course That I'm still mine and you're still yours x2 We strolled along one afternoon In the month of March, a spring too soon Is there anything you've left to say, unsaid Here among the living and the dead x2 As a matter of fact, I do declare That I didn't know when or how or where So, let's sit down by cedar tree so wide Will you consent to be my bride x2 Well she didn't say aye and she didn't say nay She didn't jump up and run away He was brave and true, a gentle man of mettle She just needed time for the thought to settle x2 By the end of the month she fairly knew They might have been April fools, it's true No rational thought could feel this warm and this blessed And where would it lead if she just said yes x2 So they flew to the New Hampshire coast More tolerant there than states most If they'd both been women or both been men, not they But, they could have been married there anyway x2 With sun to south and fog to north Two roses, they, with thorns of courth With cedar sprig and Solomon's Seal wrapped in Snug in a line with two bowlines x2 And who would have thought in a moment's time That I'd be yours and you'd be mine . . .
4.
5.
Trying Times 03:42
Trying times came to my door Go be brave ones, let them in All the sorrows we have born Will rise and ride on the morning wind I’ll fill my pockets with grains of gold I don’t mind the rain and cold Once the fields were autumn wild And the child had only time She was given the power of all the gods They said, all the world was mine to find I’d fill my pockets with grains of gold I didn’t mind the rain and cold I sometimes wish that I could make The world in orbit cease, I think, “All these noble powers of thought and reason And it all comes down to this?” I’ll fill my pockets with grains of gold I don’t mind the rain and cold I take the view from sun and stars But the hopeless seems to blind Someday I’ll learn to take with grace The sweet, the bitter, the light and line I’ll fill my pockets with grains of gold I won’t mind the rain and cold When the winter’s deep in ice And the ice has numbed the pain And all the glaciers down the coast They’ll scour the mountains, we’ll try again I’ll fill my pockets with grains of gold I don’t mind the cold
6.
7.
Come lads and lassies o’er the world, come hither fro and to For of this tale of wild adventure, I will tell to you Now lies in rest a part of me, you might say, “so it goes” The day I lost my glasses off the shores of Lake Monroe Oh when I was a woman grown, years 50 with an “and” I left my fair New England shores for the hills of Indian’ I knew not then what I know now of inland waters bold Some glacial, man-made, stream-fed, and their stories must be told How vast that stretch of water, why it makes you say, “Oh my!” With autumn leaves all rust and gold from summer hot and dry Me love and I, oh we set sail in our red-bottomed craft Nigh four feet wide from side to side, near eight feet fore and aft Of fiberglass all through and through, a sail of plastic clear With duct tape reinforcement and a tiller for to steer Her boom and sprit both fashioned from a single 2’’ x 4’’ Hand-hewn by Arthur Blodgett in the church parking lot next door Now, Lake Monroe, as well you know, was not quite always so The Miami and the Delaware all roamed here long ago ‘Til the treaty of Fort Wayne, September, eighteen hundred nine Helped lead to Tecumsah’s war and the Native uprising time There was oak and walnut, cherry, maple, berries, roots to eat Where the East Fork of the White River fed branches of Salt Creek They built the dam in 1960 through to ‘65 For flood control and drinking water, drowned these woods alive They appraised the land in deep of winter, paid the farmers low Chopped trees, burned houses, near 4000 people had to go The corporations bought up land, as did the University And as the waters rose they had their shorefront property The wind was shifty, light and spare, on that fateful afternoon We bantered, oh, without a care, as we ducked beneath the boom Just out and back straight from the beach, ‘bout an hour, maybe less When I decided, close to shore, that I’d like to swim the rest Overboard I leapt, but careful not, oh careful not I was Our gallant craft lay on its side, as did my shining dove “Oh, save my watch!” I cried, as he raised up one dripping hand We had to tow that wreck ashore, wade through the muck to land I bailed and bailed as my love he bravely unstepped the mast We breathed a sigh of great relief as on the beach we stood at last When suddenly a cry I uttered, and I’m sure you know the rest My glasses they had left my life, as young birds leave the nest So, now in slumber do they lie, with visions of times gone When waves of corn, alfalfa, oats all glistened in the sun And many’s the farm and grazing field now mud and stump below The lives and stories sunk beneath the serpent-shaped Monroe They weren’t my only glasses, oh I had an ancient pair So let me tell you, all who hear, you must always have a spare When either you set sail or come and get your oars and row And well mind the deep and the tales that sleep off the shores of Lake Monroe
8.
Welcome Day 04:00
If you should come through the woods Oh, welcome day If you should cross the mountains, tossed and torn Thorn, brush and broken limb, fires raging And trust to find a true and tender home If you should come through the woods Oh, welcome day Born so bright and new, one tiny dove Light beams through deep unknown, fires raging We dream the day you’ll find this home, our love If you should come through the woods Oh, welcome day If you should find a sweeter path to walk Through silence, words of harm, fires raging You found the strength to open arms again If you should come through the woods Oh, welcome day Past what you believed to be so true Towers built and swords defend, fires raging What if our ragged hearts could mend to love If you should come through the woods Oh, welcome day If you should cross the mountain pass If you should find a sweeter path If you should come through the woods Oh, welcome day
9.

about

Welcome Day is Cindy Kallet and Grey Larsen’s second album together. Cindy is a superb singer, guitarist, songwriter, and multi-instrumentalist, and Grey is one of America’s finest players of the Irish flute and tin whistle, as well as an accomplished singer and concertina, fiddle, piano and harmonium player. This album, filled with stunning arrangements of both songs and instrumentals, reflects the diversity and joy of their live performances.

credits

released September 15, 2015

Cindy Kallet: guitar, fiola, voice
Grey Larsen: Irish flute, Irish alto flute, tin whistles, anglo concertina, harmonium, fiddle, piano, voice
Produced by Grey Larsen and Cindy Kallet
Recorded and mixed by Grey Larsen at Sleepy Creek Recording, Bloomington, Indiana USA
Mastered by Grey Larsen at Grey Larsen Mastering,
Bloomington, Indiana USA
Mixing and mastering consultation by Mark Hood
Photographs by Alison Shaw
Graphic Design by Marty Somberg
Music by Cindy Kallet ©2015 Cindy Kallet, BMI, with the exception of “Trying Times” ©1983 Cindy Kallet, BMI (on Cindy Kallet 2, Folk-Legacy Records FSI-98)
Music by Grey Larsen ©2015 Grey Larsen, BMI, with the exception of “Hovering Hawks 1 & 2” ©1986 Grey Larsen, BMI (on The Gathering, Sugar Hill Records SH-CD-1133)

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Grey Larsen Bloomington, Indiana

Cindy and Grey are each well-known and loved for their decades of music making, as solo performers as well as in collaborations with other musicians. As composers each contributes to the unique tapestry of contemporary folk and world music as it flourishes in the US today. Together, they weave songs and tunes of vibrant color and rich texture. ... more

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